All my cinematic works
ALL MY CINEMATIC WORKS
Below are all my cinematic works currently available on the market.
THE SECRET OF THE ORCHARD (SCREENPLAY)
The Secret of the Orchard (Screenplay) is the second English screenplay taken from Federico Carro ‘s first novel. The screenplay narrates in a cinematic way the adventures of Corcelsio and Virtuoso within an island but more properly a village surrounded by a particular being that will change the destiny of all the people intertwined with each other in different aspects and very specific situations.
There is also the Italian version of the screenplay.
THE SECOND SCREENPLAY BY THE AUTHOR
Federico’s second screenplay is made using the author’s first novel in a cinematic key, so called: “The Secret of the Orchard”. The script is emphasized with more action and adventure, where the author creates new connected events between people within the country.
Thus new mysteries are conceived which are solved, emphasizing certain aspects and characters that come out in the light of the sun. While the original book is put under a fairytale key, the screenplay makes the characters more concrete, revealing their true nature which is hidden in the book.
There are therefore new scenes never seen in the book, new characters and other settings hidden by the veil that the book carries. The book has many flashbacks of the various characters, the author interpreted this factor in the script, creating ten flashbacks, thus drawing inspiration from Boccaccio’s Decameron.
Differences with the book
The script adds several secondary adventures and explains certain plots better, also there are characters that are not present in the book, making the story better understood with an alternative ending completely different from the book.
The script presents itself with greater dynamics than the events concerning the plot, there are also fights between some characters, not present in the book.
There are other events mentioned in the novel but come to life in the screenplay, as well as there are more references to the central work of the author, namely: “the King of Light”.
THE KING OF LIGHT THE ORDER OF THE DARK GODS (SCREENPLAY)
The King of Light the Order of the Dark Gods (Screenplay) is the first English script based on the second novel by Federico Carro know by his pen name Frederick A. Chariot, it is the author’s first cinematographic work. The screenplay narrates in a cinematic key the first volume of the fantasy trilogy called: “The King of Light” which tells the story of Fedrick, a crusader who is catapulted into a parallel world from his original world.
Soon available a new version on amazon and many other digital stores!
THE FIRST SCREENPLAY BY THE AUTHOR
This project is born from the author’s need to put his second novel in a film version. The screenplay is therefore a re-adaptation of the novel suitable to be played in a Fantasy film that tells the stories of Fedrick.
The beginning of the screenplay starts differently than the novel, and then reconnects to the novel when the crusader is inside the settlements, the night before the war that was about to look at dawn. Certain aspects of the script have been changed and certain parts cut.
For example, in the script the part in which Salazhar appears in the novel is not present in the script, as well as many parts present when Fedrick arrives in Gaza. This obviously is to keep the work within a certain duration of the hypothetical making of the film.
Differences with the book
This work differs in some features, especially on the name of Fedrick’s girl. Her name was changed by the author for personal reasons, in fact in this version the name of Eleonor is still present, later changed to Isabel.
Also, since the novel already featured a girl named Isabel, that is Flemgard’s girlfriend, her name was changed to Elizabeth. The beginning explores the issue between Fedrick and Isabel better, showing better how they presented themselves and the training, as well as the journey to the battle to Jerusalem.
Finally, many details have been eliminated from the book and some adventures have been simplified to make the most of the suitable and cinematic time of a possible film.